At Balmain’s second ever menswear runway show after last season’s summer’s dessert safari-explorer collection, the Parisian house renege towards its core values featuring a remix of classic elegance and modern sophistication. The grand venue was gold-lined, rows of glittering chandeliers hung up on high ceilings above an ultra-modern glossy pitch ¬black runway, an archetypal feature to the house of Balmain codes. Creative director Olivier Rousteing showcased a handsome offering of brazenness extravagance of the 19th century startled, it was Napoleonic mission to delivered in a grandeur of what was Rococo met Fabergé, met War and Peace, met Versailles, met Claude Montana, met Dune, and the Highlander, in a dizzying display of resplendence pitched at the aristocracy of fortunes.
This time the collection was by far most extreme in its own kind, Rousteing pushed his signature concept beyond the standard approach and high above limits. The Balmain Fall Winter 2016 menswear featured a high percentage of clothing embellished in Swarovski crystals and gold embroidered that riffed off military wear staples, a powerful form mostly highly desired by Balmain army fanatics. It was certainly audacious, certainly over the top, and overly done, but the collection designed in its very form of luxurious language seems to feeds the brand in high energy and conviction, it almost seem like the entire production was taken from BBC’s War and Peace. The Balmain transition in Fall Winter 2016 has been quiet remarkable, it was a glimpse of fresh air, yet again, unashamed, youthful, and unflappable optimism – a small yet large dedicated collection towards a niche market of consumers who find great appreciation towards this complex phantom approach.
What I desired most out of the sea of sparkles were some of the closing jackets, a midnight blue double breasted velvet jacket dressed in gold embroidered epaulettes, cuffs, and lapel which resembles a core feature dated back towards the earlier Asian infused Balmain Fall Winter 2013 Menswear – it is after all a classic piece in the Balmain norm, a staple prominent piece which every Balmainac wardrobe requires but runs deep in one’s pocket. There were a number of tailcoats, equestrian-style knee-high boots, jackets belted in wide quilted cummerbund held with calfskin leather thronging trimmed with fancy long tassels, drop crotch velvet trousers were best to my liking – a sense of style beyond the standard of fashion but yet future-proofed as these elements were all too similar, it rings a bell that these were first introduced once three years ago, and now it has returned again. STORY CONTINUES BELOW.
BALMAIN FALL WINTER 2016 MENSWEAR
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